Mercutio, playfully angry, declares loudly how Benvolio picks fights with everyone: “Thou art like one of those fellows that, when he enters the confines of a tavern, claps me his sword upon the table and says ‘God send me no need of thee!’ and by the operation of the second cup draws him on the drawer, when indeed there is no need” (Shakespeare 3. In the beginning of the scene, Mercutio is taking a stroll with Benvolio, another friend of Romeo. His film is set in 14th century Verona, Italy, the original setting of the play. Zeffirelli took a traditional approach to his adaptation of Romeo and Juliet. Zeffirelli portrays Mercutio as easygoing and playful, whereas Luhrmann’s Mercutio is short-tempered and violent. A vengeful Romeo then seeks out Tybalt and kills him (Shakespeare 3. A fight ensues, resulting in Mercutio’s death (Shakespeare 3. In this scene Romeo’s friend, Mercutio, crosses paths with Tybalt, Juliet’s cousin (Shakespeare 3. For example, the events of Act 3, Scene 1, of the play are included in both films, but how they are presented contrast greatly. Even though the plot and script are identical, each director’s vision for his film produces an individual, unique movie. Two movies that exemplify this are Franco Zeffirelli’s Romeo and Juliet (1968) and Baz Luhrmann’s Romeo + Juliet (1997). Many film adaptations of William Shakespeare’s classic tragedy of “star-crossed lovers” have been made, both in the original setting and more modern ones (Shakespeare Prologue.
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